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Testing Beethoven







Beethoven Symphony Survey













































Name ⇕

Orchestra ⇕

Label ⇕

Year Comp. ⇕

Claudio Abbado I, Vienna Philharmonic
DG, (1986-1988)

Gabriela Beňačková, Marjana Lipovšek, Gösta Winbergh, Hermann Prey, Konzertvereinigung Wiener Staatsopernchor

Claudio Abbado's first Beethoven set, from Vienna. Often described as the epitome of faceless beauty and exuding an Abbadoesque blandness which he would drop later in life but was typical then. I've not heard it, but readily believe that description. That said, there's something to be said about sheer beauty.







Claudio Abbado II, Berlin Philharmonic
DG (2000)

Karita Mattila, Violeta Urmana, Thomas Moser, Thomas Quasthoff, Eric Ericson CCh

Abbado's second set follows the Norman Del Mar Urtext editions of the symphonies (published between 1996 and 2000; Bärenreiter) which turned out a game-changer in the LvB reception and spurred a host of new, very fine recordings. What-with the by then universally revered Abbado involved, and his superb Berlin band, this studio cycle was immediately hailed to the skies in the press... only for Abbado to disown it a year later when he brought out the symphonies recorded at concerts in Rome. DG demurely took this cycle (which had also been issued in the audiophile but still-born DVD Audio format) off the market. It combines the new, quicker, more agitated approach to Beethoven (in general and of Abbado's) with the hyper-civilized playing of the Berlin Philharmonic.







Claudio Abbado IIIa "Rome", Berlin Philharmonic
DG (2000-2001)

Karita Mattila, Violeta Urmana, Thomas Moser, Thomas Quasthoff, Eric Ericson CCh

This is Abbado's 'remake' of his second Symphony Cycle -- the live recordings with the Berliners from Rome, where he manages to let loose and stoke the orchestra's flames for an immediately more arresting, riveting impression. This is Abbado at his most exciting. And in fact, the set is tremendous and, I think, rightly one of the foremost modern mainstream recommendations. The Ninth Symphony, meanwhile, still hails from the Berlin-Berlin cycle. It is not the strength of this cycle. The DVD set of the "Rome" cycle (IIIb) contains a live performance, trading Quasthoff for Eike Wilm Schulte, which turns out a boon. But the best Ninth of Abbado's remains his Salzburg Ninth on Sony, anyway. Still in the more traditional mold, but amazing. The original burgundy box of this cycle includes fine documentation. The (slightly shoddy) Eloquence set amazingly brandishes a claim of these recordings, except for the 9th, being made in 2008. I think we would have heard about it, if Abbado had recorded a fourth cycle of these works and suspect a typo, instead.




Claudio Abbado IIIb "DVD", Berlin Philharmonic
EuroArts (2001)

Karita Mattila, Violeta Urmana, Thomas Moser, Eike Wilm Schulte, Eric Ericson CCh

This is the "Rome" cycle on DVD and Blu-ray, said to have superior sound compared to the CD releases. The Ninth differs from the studio Berlin Ninth that is included in the CD releases of the "Rome" cycle.




Hermann Abendroth, Various Orchestras
Memories (1937-1954)

Edith Laux, Diana Eustrati, Ludwig Suthaus, Karl Paul, Rundfunkchor Leipzig, Universitätschor Leipzig

A cycle lacking a Second and cobbled together from recordings with the RSO Leipzig (1, 4, 6, 9), RSO Berlin (3), Leipzig Gewandhaus (8), Warsaw Philharmonic (7), and the Berlin Philharmonic (5). Monaural. Memories, with its two lines of "Reverence" (= probably horrible sound but plenty nostalgia) and "Excellence" (= decent enough for peddling off-the-air cuts) is not an official label, to put it gently.













Gerd Albrecht, Yomiuri Nippon Symphony Orchestra
Exton (1999-2000)

Emi Sawahata, Mika Shigematsu, Satoshi Mizuguchi, Tsuyoshi Mihara,

Recorded at Suntory Hall and Ota Kumin Hall (#9). Available as a set through Tower.jp. Issued on Exton HDCDs.




Ludwig van Beethoven
The Symphonies
2001








Ernest Ansermet, Orchestre de la Suisse Romande
Decca (1958-1963)

Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chœur Des Jeunes De L'Église National Vaudoise, Chorale du Brassus

Beethoven in "the great European tradition".







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